Juxtaposing the story of the murder of Congolese leader Patrice Lumumba with a musical tour of jazzman Louis Armstrong and with the expansion of the United Nations after the independence of many African countries in the 1960s might be tall order. Trickier still would be
Should any Americans be concerned following the Academy Awards ceremony, no, they haven’t missed Mother’s Day. Mother’s Day in the U.S. is still May 12, a good two months away. In the U.K., however, it was the night of the Oscars, March 10 — and
Hong Kong’s One Cool Film group has announced five new movies, revealed through exclusive teasers and posters on the opening day of FilMart. Upcoming films include “Love Lies,” starring Sandra Ng and M.C. Cheung Tinfu; “The Trier of Fact,” directed by Calvin Tong and featuring
Investments in artificial intelligence generative content (AIGC) remain a top priority for some companies in China, despite ongoing concerns regarding copyright and intellectual property rights. During a seminar discussing the potential of generative AI in the entertainment industry at Hong Kong’s FilMart, Chen Jihong, an
Alibaba, China’s e-commerce and entertainment conglomerate, said Monday that it is committing HK$5 billion ($640 million) over five years to the development of Hong Kong’s film and TV industries. The move was announced on the first day of FilMart, the annual rights market for the
India premieres of France’s “The Taste of Things” and Korea’s “Exhuma” will open and close respectively the first edition of India’s Cinevesture International Film Festival. Tran Anh Hung won best director at Cannes 2023 for “The Taste of Things,” which was subsequently submitted as France’s
Bollywood film “Shaitaan” has scored a hefty opening, according to data provided to Variety. The film marks the first collaboration between billionaire Mukesh Ambani’s Jio Studios, Bollywood A-lister Ajay Devgn’s Devgn Films and Panorama Studios. “Shaitaan” scored a worldwide weekend gross of $9.8 million, including
The movies, if I dare say it, used to hold us together. They were a shared dream — which is why I wanted to become a film critic, not a poetry critic. The mass mythology of movies felt singular, intoxicating, enveloping, cathartic. And the Oscars