For the first time, the so-called toxic environment at the cable channel Nickelodeon in the late ’90s and early aughts is being exposed on screen, in ID’s “Quiet on Set: The Dark Side of Kids TV” docuseries. For years, directors Mary Robertson and Emma Schwartz
Revolutions bring hope for a better life and strength in community. “Immortals,” a documentary about young Iraqi activists, deals with the aftermath of 2019’s October Protest Movement. What happens when the promise of a better life has been hijacked by insidious political forces? An insightful
XOXO, Upper East Siders. Chuck Bass is getting married and Lily Van Der Woodsen is invited. “I miss that character, but I am still in touch with almost everyone from the show. I am going to Ed’s [Westwick] wedding and I am so excited,” admitted
David Seidler, the Oscar-winning screenwriter of “The King’s Speech,” died Saturday while on a fly-fishing expedition in New Zealand. He was 86. “David was in the place he loved most in the world — New Zealand — doing what gave him the greatest peace which
“Dune: Part Two” is barreling toward another box office milestone. Director Denis Villeneuve’s science-fiction sequel has grossed $494.7 million globally, including $208 million in North America and $289.4 million internationally. It should surpass the $500 million mark by Monday, a figure that few films have
Universal and DreamWorks Animation’s “Kung Fu Panda 4” remained victorious at the domestic box office, collecting a solid $30 million in its second weekend of release. After 10 days on the big screen, the animated family film has grossed $107.7 million in North America and
Iranian filmmaker Farahnaz Sharifi’s “My Stolen Planet,” an intimate family portrait of life during Iran’s 1979 Islamic revolution, won the Golden Alexander at the Thessaloniki Documentary Festival on Sunday, bringing a close to an emotional and politically charged week in Greece’s second city. Using both
“House of Gods,” a Matchbox Pictures six-part series, boasting an entirely Arab Australian cast, presents a perspective seldom seen on screen, a Muslim community in Fairfield, Australia. “You can’t manufacture authenticity. Audiences are so intuitive and adept, they can smell if something is off a